UPDATE: I’ll be on CBC’s Q Wednesday, July 30 to discuss my article.
Why don’t disabled actors get cast more? I answered the question for The Atlantic.
Theodore P. Mahne, NOLA.com/The Times-Picayune: In her landmark and poetic play, A Raisin in the Sun, Lorraine Hansberry focuses on the idea that a dream deferred becomes a heavy load over time. In his play Dying City, Christopher Shinn cuts deeper, creating a harsher poetry for harsher times, as he explores the weighty effects of an unfulfilled life.
Michael Martin, NOLA Defender: Dying City is about many things (at first I thought 9/11 and the Iraq invasion were mere topical window dressing, but Shinn has ideas of value even about those) but if I were to pick one, I’d say it’s first about the fatal attraction of machismo, in individuals and in nations… this is not a play in which everything will turn out okay if people can just tell each other the hard truth. City is a play in which the ability to hold secrets and sustain lies is all that keeps people going and sorta functional. Dying City is a stone-cold-hearted piece of work.
My “op-ed” from last week’s NYT Opinion app launch party:
Some exciting annoncements recently: