In the summer of 2013 I talked with Stephen Bottoms. Our resulting interview in Contemporary Theatre Review has now been liberated from its paywall and can be found here. We discuss violence, identity, and lots more, including Eddie Redmayne’s performance in my 2008 play Now or Later.
In 2014, my main piece of public writing was an essay on disability for The Atlantic, which led to an interview with the CBC and a Dramatists Guild panel on disability. Otherwise, I continued working with a great group of students at the New School for Drama. I also enjoyed continued small productions of Dying City; had some fun at the doomed NYT Opinion App launch party; contributed a short piece for The Dramatist; had a productive retreat with the Sundance Institute in the Hamptons; and did a fun in-depth interview with Stephen Bottoms about my work. 2015 should be a productive year; stay tuned for news.
I just returned from a wonderful week at the Sundance Institute’s Playwrights Studio at Flying Point. Graciously hosted by Joan and George Hornig, a great group of writers got to work freely in a beautiful setting. Below, the barn on the Hornig property where many of us did our work.
Below, a Dramatists Guild panel “Writing for Disability,” from HowlRoundTV.
Roger Martin, miamiartzine: A challenging piece best watched while leaning forward, perched on the edge of the seat, mouth slightly agape and eyes squinted to catch every nuance skittering through a ninety minute message that all’s not right with a young war widow, her manly dead husband reappearing in flashbacks and her husband’s gay twin brother.